Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Ce livre présente le travail extraordinaire de trois artistes de différentes générations qui approchent l'abstraction non pas comme un formalisme, mais comme une manière philosophique structurée, scientifique, et d'idées transcendentales. (extrait du 4ème de couverture)

Kunz, Emma --- Klint, Hilma A.F. --- Martin, Agnes --- Drawing, Abstract --- Drawing --- Dessin abstrait --- Dessin --- Exhibitions --- Exhibitions. --- Expositions --- Klint, Hilma af, --- Kunz, Emma, --- Martin, Agnes, --- Klint, Hilma af --- Art abstrait --- Af Klint, Hilma --- Martin, Agnès --- 7.038 --- 741 "19" --- Hilma af Klint 1862-1944 (° Karlsberg, Zweden) Emma Kunz 1892-1963 (° Brittnau, Kanton Aargau, Zwitserland) --- Agnes Martin 1912-2004 (° Maklin, Saskatchewan, Canada ; sinds 1950 --- Amerikaans staatsburger) --- Tekenkunst ; 20te eeuw ; H. Af Klint ; E. Kunz ; A. Martin --- Kunst ; van vrouwen ; 20ste eeuw --- Tentoonstellingscatalogi ; New York ; The Drawing Center --- Abstracte kunst --- 741.038 --- (069) --- 741 "19" Tekenkunst--20e eeuw. Periode 1900-1999 --- Tekenkunst--20e eeuw. Periode 1900-1999 --- 7.038 Abstracte kunst. Non-figuratieve kunst. Concrete kunst --- Abstracte kunst. Non-figuratieve kunst. Concrete kunst --- Tekenkunst ; 1950 - 2000 --- (Musea. Collecties) --- Kunz, Emma 1892-1963 (°Brittnau, Aargau, Zwitserland) --- Martin, Agnes 1912-2004 (°Macklin, Canada) --- Af Klint, Hilma 1862-1944 (°Solna, Zweden) --- Tekenkunst ; 20ste eeuw ; H. Af Klint ; E. Kunz ; A. Martin --- Vrouwelijke kunstenaars --- Artists --- Spirituality --- Tentoonstellingscatalogus --- Visual arts --- Book

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Barnette, Sadie ; Bartana, Yael ; Basquiat, Jean-Michel ; Böttcher, Jürgen (Strawalde) ; Calle, Sophie ; Delat, Chto ; Contemporary And ; Edwards, Melvin ; Ferreira, Angela ; Franke, Bernhard ; Fusco, Coco ; Gallagher, Ellen ; Martinez Garay, Claudia ; Abum Hamdan, Lawrence ; Jafa, Arthur ; Jemison, Steffani ; Hicks, Justin ; Mikrokosmos ; Kensmil, Iris ; Khan, Hassan ; Kiwanga, Kapwani ; Lubinetzki, Raja ; Schramm, Petra ; Mehretu, Julie ; Moosdorf, Heinz-Detlef ; Nengudi, Senga ; Ögut, Ahmet ; Phillips, Julia ; Martinis Roe, Alex ; Rosenfeld, Elske ; Sala, Anri ; Sitte, Willi ; Slavs and Tatars ; Smith, Cauleen ; Spero, Nancy ; Stötzer, Gabriele ; Tur, Nasan ; Watts, Lewis ; Weems, Carrie Mae ; Wetzel, Christoph ; White, Charles ; Wodzicka, Heinz

Art, Modern --- Women revolutionaries --- kunst --- 7.038/039 --- eenentwinitgste eeuw --- twinitgste eeuw --- Verenigde Staten --- kunst en politiek --- racisme --- Afro-Amerikaanse kunst --- feminisme --- Women revolutionists --- Revolutionaries --- Davis, Angela Y. --- Davis, Angela, --- Dėvis, Andzhela, --- Exhibitions --- Community organization --- Davis, Angela --- Germany (GDR) --- Black feminism --- Book

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

kunst --- Verenigde Staten --- twintigste eeuw --- gender studies --- lesbianisme --- homoseksualiteit --- Millett Kate --- Fishman Louise --- Snyder Joan --- Winant Fran --- Cooling Janet --- Tsinhnahjinnie Hulleah --- Baca Judith F. --- Leonard Zoe --- Aguilar Laura --- Sigler Hollis --- Hammond Harmony --- Matalon Linda --- Wilson Millie --- Kass Deborah --- Eisenman Nicole --- Opie Catherine --- Leone Hillary --- Macdonald Jennifer --- Patten Mary --- 7.038 --- Developmental psychology --- Sociology of the family. Sociology of sexuality --- Sexology --- Art --- United States --- Baca Judith F --- United States of America --- Homosexuality --- Identity --- Artists --- Female homosexuality --- Visual arts --- Book

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Would you still call me a diva if I were a man?" asked Zaha Hadid, challenging as she did so, more than 100 years of stereotypes about female architects. A century in which women were refused entry to architecture schools, were denied degrees when they had completed courses, a century in which even now, women occupy just ten per cent of the highest-ranking jobs in architecture firms. In contrast, Breaking Ground is a pioneering, even essential, celebration of incredible architecture designed by women. Featuring more than 150 architects and buildings, and spanning the last 100 years, Breaking Ground is both a glorious visual manifesto and a timely record of the extraordinary contribution female architects have made to the profession.

Women architects --- Architecture and women --- Architecture, Modern --- 72.039 --- 72.038 --- Architectenberoep ; vrouwen --- Architectuur ; van vrouwen ; 20ste en 21ste eeuw --- Architecture --- Women and architecture --- Women --- Women as architects --- Architects --- Architectuurgeschiedenis ; 2000 - 2050 --- Architectuurgeschiedenis ; 1950 - 2000 --- History --- Sociology of the family. Sociology of sexuality --- architecture [discipline] --- architects --- women [female humans] --- vrouwen --- architectuur --- Architectuur en vrouwen --- Architectuur ; 20ste eeuw --- Architecture, Modern - 20th century --- Architecture, Modern - 21st century --- sex role

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

How have radical print cultures fostered and preserved queer lived experience from the 1960s to the present? What alternative stories about queer life across Europe can visual material reveal? Queer Print in Europe is the first book devoted to the exploration of queer print cultures in Europe, following the birth of an international gay rights movement in the late 1960s. By unearthing these ephemeral paper documents from archives and personal collections, including materials that have been out of circulation since they were first distributed, this book examines how the production and dissemination of queer print intersected with the emergence of LGBTQ+ activism within specific national contexts. This vital contribution to queer history explores borders and political movements, and the ways in which these materials contributed, through their international circulation, to the creation of a 'post-national' queer community. Illustrated throughout with examples of manifestos, flyers, posters, zines and other forms of print media, it features interviews with those responsible for making, distributing or archiving queer print, alongside a series of new theoretical essays that set particular publications and the individuals and groups that produced them in context. The book isolates specific instances of queer print media and scrutinises their design aesthetics, identifying both the significant contribution that queer print has made to histories of LGBTQ+ struggle and to the history of print design.

Gay press publications --- Gay press --- Prints, European --- Homosexuality and the arts --- Themes, motives. --- Underground ; grafische vormgeving ; tijdschriften --- Kunst en maatschappij ; underground cultuur --- Grafische vormgeving ; tijdschriften ; 20ste eeuw --- Kunst en activisme --- LGBTQ+ --- Queer --- Queer en kunst ; 20ste en 21ste eeuw --- 766(091) --- Gebruiksgrafiek ; geschiedenis --- grafisch design --- grafische vormgeving --- graphic design --- LGBTQIA+ --- twintigste eeuw --- 766.036 --- activisme --- 766.11.038(4) --- Grafische industrie en ontwerp ; drager ; papier & boek ; geschiedenis ; 1950 - 2000 (Europa) --- Gay culture --- Gay and lesbian studies --- Cultural awareness